Part One, in case you missed it

We do not sin in a vacuum, or for mere sinning's sake, but rather in response to natural human feelings and the pressures of circumstance: hunger, thirst, weariness, frustration, boredom, anger, loneliness, pain, sickness, discouragement, sexual urges, and so on. And when we seek sympathy and understanding from those who might otherwise condemn us, it is on that basis that we make our appeal. "I stole that money because I was hungry." "I hit that man because he made me furious." "I had that affair because I was so lonely." We want other people to understand the feelings that led to our giving in to temptation, to be able to imagine themselves in our place, so that they will be compassionate toward us and show us mercy.

If we think of it that way, then it is unnecessary to believe that Christ had to be capable of actually committing sin in order to sympathize with us. What we really want is to know that He understands how we feel before we give in to sin – that He knows what hunger, thirst, weariness, frustration, boredom, anger, loneliness, pain, sickness, discouragement, and sexual urges feel like because He has personally experienced them.*

Well, in the gospels we do find Christ coming under these kinds of overwhelming pressures, and being demonstrably affected by them. He was not some super-being immune to the frailties and vulnerabilities of humanity, but a true Son of Man. After forty days and nights in the wilderness, Matthew and Luke tell us, He was hungry (perhaps the most colossal understatement in all of Scripture: He must have been nearly dead of starvation). By the well in Samaria after a long day's walk, He was thirsty. After preaching long hours to the crowds in Galilee, He was weary – so weary in fact that He could sleep soundly in a boat tossed by a raging storm. In the temple courts, seeing His Father's house turned into a marketplace, He was consumed with anger. In Gethsemane, He was overwhelmed with loneliness and sorrow almost to the point of death. On Calvary, He experienced horrific physical, emotional and spiritual pain.

And yet, the author of Hebrews assures us, He went through all these ordeals "sin apart". He was tested and tempted in all the ways that make us weak and vulnerable and prone to sin, but He never stepped over the line. Sin found nothing in Him, no claim or hold on His spirit, because He was not only truly Man, but truly God. He never lost sight of the Father, or of the glories of heaven, and so none of the insipid, feeble pleasures of this sin-corrupted world could possibly beguile Him, any more than you or I would be tempted to covet rhinestones if we owned the Koh-I-Noor. All the tests and temptations He endured, potent and real as they were, served merely to demonstrate His incorruptible and divine character. As the same writer of Hebrews noted, "Such a high priest meets our need -- one who is holy, blameless, pure, set apart from sinners, exalted above the heavens."

But because as a Man Christ was tempted, in the sense of going through all the same feelings of need and experiences of hardship that we do, we can cry out to Him in any situation and know that He understands – not only how we feel, but what we need to endure and overcome. As Paul wrote to the Corinthians:
No temptation has seized you except what is common to man. And God is faithful; he will not let you be tempted beyond what you can bear. But when you are tempted, he will also provide a way out so that you can stand up under it. (1 Cor. 10:13)
I am thankful beyond words that whatever I feel, whatever I face, whatever pressures I am under, I have a Saviour who understands. He does not ignore or excuse sin -- rather, He died to save me from it. But He will never treat me unjustly or fail to hear my cries for help, either.

--
* Before anybody has hysterics over the implication that Christ was not asexual, I'd like to point out that the sexual impulses were given and blessed by God at the beginning of creation, and that they are in no way sinful in and of themselves. I suggest, therefore, that if the incarnate Christ was truly Man and not a eunuch, He would surely understand the feeling of sexual attraction, though He never indulged in lustful fantasies or committed any form of sexual sin.
It's been a long time -- too long -- since I blogged about anything theological. After sitting through several thought-provoking, heart-challenging messages at the Christian family camp we just attended, it's really come home to me that I've been giving the Lord short shrift in a lot of ways, my online activities especially. So in future, by the Lord's grace, I hope to get back to talking a little more often about the things that really matter -- or perhaps I should rather say, the One who really matters.

After listening to three messages on the subject, I've been thinking about the temptations of Christ (see Matthew 4:1-11 or Luke 4:1-13). More specifically, about the whole controversial topic of precisely what it meant for the Lord Jesus to be "tempted", particularly in light of the book of Hebrews:
For this reason he had to be made like [us] in every way, in order that he might become a merciful and faithful high priest in service to God, and that he might make atonement for the sins of the people. Because he himself suffered when he was tempted, he is able to help those who are being tempted. (Hebrews 2:17-18)

For we do not have a high priest who is unable to sympathize with our weaknesses, but we have one who has been tempted in every way, just as we are—yet was without sin. Let us then approach the throne of grace with confidence, so that we may receive mercy and find grace to help us in our time of need. (Hebrews 4:15-16)
Some people argue that in order for Christ to experience or be able to empathize with human temptation in any meaningful sense, He had to have the potential to sin, even if He did not actually do so. But the more I think about it, the more I disagree… and tomorrow, I'll try to explain why.
A few thoughts, inspired by this meme: If there is someone on your friends list who makes your world a better place just because they exist and who you would not have met (in real life or not) without the internet, then post this same sentence in your journal.

Personally, I'd say there are a number of people on my f-list who fit that description. Some of you I've even had the privilege of meeting in RL, and finding you just as delightful in person as you are in spirit.

A male person whom I love dearly is of the firm opinion that online relationships are illusory -- that you can't really relate to someone in a meaningful way just through writing. His conviction is that without gesture and tone of voice, without a physical presence in front of you, without a common task, hobby or occupation at which you can work side by side with that person and see how they act even when they aren't using words, you have only a superficial impression of the person you're relating to, and your friendship can never progress beyond vague acquaintance.

Well, that may be true for men -- or most men, anyway -- but I don't think it's equally true for women, for whom verbal communication is primary. Men may (as this male friend of mine claims) need a hockey game or a joint work assignment in order to get to know each other, but most women I know are content to make a pot of tea and a plate of scones and just talk.

So while the Internet may indeed make a very bad deck-building project, I''d say it makes a quite decent pot of tea... and my experience of meeting online friends in RL seems to bear that out.

In the eighteen years I've been talking to people online (yes, I am a net.dinosaur), I have yet to meet someone who was significantly different in the flesh from the way they presented themselves online. That's not to cast any doubt upon the real danger of people misrepresenting themselves for personal gain and/or to take advantage of others -- I know it does happen -- but in the particular message boards, FidoNet echoes, Usenet groups, fan forums, and LiveJournal threads where I've met and befriended people over the years, there really hasn't been much call for that kind of behaviour, and I've never run afoul of it myself.*

And on the whole, I've gained far more than I've lost by making friends online. Some of you I chat with on a near-daily basis: we've laughed together, cried together, prayed together, shared story ideas and bits of writing, and offered sympathy and/or advice as needed. I've received gifts of such generosity and thoughtfulness, some of them from people I'd only just met, that I was moved to tears. Little by little, and sometimes without even realizing I was doing it, I've established a network of contacts with professional writers and editors that has really helped and encouraged me in my writing career. And some of you have done me the honour of coming to visit me and stay in my home for a few days -- an experience that I have always enjoyed and would gladly repeat with any one of you.

So to all my online friends, I raise a cup of virtual tea and say, with all sincerity: to friendship.

--
* Admittedly, I have met a couple of people on line who were unpleasant and even dangerous in RL, but there was plenty of warning for that in the way they spoke and conducted themselves online. My mistake wasn't in thinking those people were different than they really were, it was believing I could help them with their problems and not get hurt. I think that I've learned better now.
This essay has been brewing in my mind for a couple of years now, and since I was recently reminded of it during a discussion on [livejournal.com profile] lizbee's journal, I figured I might as well bite the bullet and put it down on paper. Comments are welcomed, but as I'm due to have my third child on (or before, or around) this coming Saturday, I'm sure you'll appreciate that I can't guarantee a timely response.

Anyway, here it is:

* * *

THE PROBLEM OF SUSAN

Over the last few years I have heard many indignant complaints about the treatment of Susan in the Narnia books, specifically in The Last Battle. Numerous LiveJournal rants have been written on it, Philip Pullman (author of the His Dark Materials trilogy) has deplored it, Neil Gaiman has written a story about it (with the same title as this essay), and most recently it was brought up by J.K. Rowling in an interview with Time Magazine:

"There comes a point where Susan, who was the older girl, is lost to Narnia because she becomes interested in lipstick. She's become irreligious basically because she found sex," Rowling says. "I have a big problem with that."

Well, I have a problem with it too -- albeit for different reasons. And here they are, at quite some length )

ETA: Please also check out the brief follow-up post to this discussion, which brings up a very significant point raised by a commenter about the attitude of the Friends of Narnia to Susan.

ETA2: As of April 2013 I've been so inundated with spam replies to this entry that I've had to shut down Comments. Sorry to anyone who had further thoughts to add -- perhaps try the follow-up post instead.
For anyone who hasn't already seen it, [livejournal.com profile] junediamanti has written a brilliant essay on the location of Spinner's End. Not only does it come with pictures (one of which, supplied by [livejournal.com profile] julian_black in comments, is positively delicious -- Fred?!) but the comments are hysterical, especially this exchange between [livejournal.com profile] junediamanti and [livejournal.com profile] tapedeck. (And for those few left scratching their heads and wondering what the joke is about, here's the sketch they're referring to.)
Tags:
Or, in other words, the refined version of the theories I've been expounding on for the past week or so, in one handy linkable place (for those of you who've been asking if they could link). Thanks to everyone who contributed suggestions, objections, and questions for me to answer -- the idea has been much improved and refined in the process.

The [Hor]crux of the Matter: An Essay With Many Spoilers )
So I guess this latest answer on JKR's official FAQ to the question of how the Order members communicate (and can anybody explain to me how on earth we would have figured that out from reading GoF, the way Jo thinks we all should have???) would strongly suggest that Snape does, in fact, have a Patronus. (Ironic, since [livejournal.com profile] cesario suggested last night that it was highly possible he couldn't cast one due to a lack of happy memories, and at the time I was inclined to agree with her. I wonder what Snape's happy memory is?)

In the past, JKR has said that she can't tell us what Snape's Boggart or his Patronus are because it would "give too much away". Well, I think I know what his Boggart is -- probable HBP spoiler ). But his Patronus? Something "unique and distinctive" to him, so that nobody could possibly mistake it for anyone else's Patronus? I'm stumped.

Oh, also, I thought of another thing today while doing the dishes. What is it about domestic chores that causes me to think of wacky new HP theories? But anyway: another highly possible spoiler for either HBP or Book Seven, your mileage may vary )

I have read the back jacket copy from the US edition that was posted yesterday, but deliberately avoided reading the first chapter excerpts floating around my f-list, because I know that if I start reading any part of the book I won't be able to resist the temptation to open it as soon as I get it and then I'll be up for the rest of the night finishing the thing off, which is just not feasible when you have two preschoolers. I shall start it as soon as I wake up on Saturday morning, which will probably be early, because my brain is doing the giddy kid-at-Christmas thing already...
This morning I'm starting to wonder if I'm on a two-week schedule of rough, half-sleepless nights followed by a day of fatigue and breathlessness, or what. The lack of oxygen is making me light-headed and my legs feel wobbly. However, because I am a complete geek, I spent much of the time I couldn't sleep thinking of how best to reply to the comments made to my previous entry, and now here I am typing it up, since if I'm going to feel cruddy anyway I might as well do something productive with my time...

Both Paula and James raised the question of why sin couldn't have come into the world without a literal Adam and Eve and a literal fall in Eden -- why it couldn't be the result of evolved humanity exercising a God-given free will. Again, it seems a reasonable idea on the surface: but the moment you start to examine the details the whole thing breaks down. The ability to exercise free will is by no means evil in itself, to be sure, so God could give human beings free will without being the author of sin. But if we propose that sin has come into the world merely as the result of evolved humans choosing to do wrong on an individual basis, with no creatorial Head such as Adam represents in the Biblical narrative, we are left with the following very serious unanswered questions:

1. Why do all human beings, starting at the very youngest age, do wrong things without any coaching whatsoever, but have to be taught and encouraged to do good? Why is selfishness our "default mode", as it were, whereas good and unselfish behaviour requires conscious effort (effort that fails as often as not, or at least doesn't go as far as we would like it to)?

As a mother of two children whom I love dearly, as well as someone who vividly remembers her own childhood, I can readily attest to the fact that it is very easy for "sweet, innocent" children to be rude, unkind, disobedient to authority (even wise and compassionate authority), to harbor evil thoughts and say cruel things to each other -- and to do this knowingly and willfully, with no doubt in their minds that their behaviour is wrong. Even now that I am a well-brought-up and socially adjusted adult who knows better than to throw a tantrum in the street or hurl sharp objects at people who annoy me, I nevertheless still find it far easier to do evil than to do good -- I'm just better at hiding my sins from others.

If God created us (or rather, allowed us to evolve) with no innate tendency toward evil, only the basic power of free will, it should be an easy fifty-fifty proposition as to whether we do evil or good, and we should be readily able to choose good all or at least most of the time. But this is manifestly not the case, as anyone who tries to do only good and no evil, even for just one day, will soon discover. We read many stories in the Bible of noble and godly men such as Noah, Abraham and David, who did great things for God -- but they also committed great sins, with grievous consequences for themselves and those around them. As the psalmist wrote and the apostle Paul echoed in the epistle to the Romans, "There is no one righteous, no, not one."

The idea of human beings having evolved free will and choosing to do good or evil on an individual basis doesn't answer or even address this perennial moral problem. Only if humanity sprang from a single human couple created in a state of innocence (thus allowing God to declare them truly "good" in the beginning, not merely "potentially good if they choose to be") who then used their God-given free will to sin against Him and so corrupted both themselves and all their future offspring in the process, do we have an answer to the question of why we human beings are sinners by default, as it were, and why moral behaviour is such a concentrated (and frequently thwarted) effort by contrast. Only then do we have the necessary guarantee that human beings are not as God created them, and that God Himself is not responsible for nor is He indifferent to our present sinful state.

But there's another very important question left unanswered if "sin" is supposed to be just the result of evolved man exercising his God-given free will for evil instead of good, and it's this:

2. What about evil that is not the direct result of man exercising free will -- natural disasters, disease, "nature red in tooth and claw", etc.?

If we look around this world, we see much that is beautiful, much that is breathtaking, much that gives the appearance (misleading or not) of complex and intelligent design. But there is also much evidence of decay, suffering and death in the natural world. If God set evolution in motion in such a way as to produce the result we see in the world today, then He would be neither loving nor righteous. Only if God created the world in a state of perfection would He be justified in calling it, or Himself, "good".

So then, how did the world get from a state pleasing to God into the obviously imperfect state in which it now exists? Why do we have cancer, tsunamis, schizophrenia, colonies of monkeys who chase down other monkeys and rip them apart for sport? How did death -- something we all instinctively know to be an evil and seek to avoid, however we may try to whitewash it with various philosophies -- become an inescapable part of creation? Again, there is no satisfactory explanation for this if the world as we know it was simply set in motion by God and allowed to evolve to its present state. Only if at some definite point in history something went suddenly and cataclysmically wrong with creation do we have an answer, and Genesis 3 provides us with that answer.

Again, I am not claiming to have a timeline for creation, or to understand all the processes by which God worked and continues to work in bringing life into the world. Where the Bible specifically touches on these subjects I believe it to be factually and historically and scientifically reliable: but it addresses these matters primarily in the context of revealing God's character and expounding on man's relationship to Him, and so does not provide us with an exhaustive scientific explanation. Nevertheless, I can see no means by which the obvious realities of human moral weakness and a corrupted, decaying world can be explained apart from a literal father and mother of all humanity, a literal historical point at which innocent man was presented with the choice to do good or evil, and a literal fall into sin which affected not just human biology and spirituality but the whole of the created world of which humanity was Head. And that means reading and interpreting Genesis 1-3 just as the book itself invites us to do -- as a simple, straightforward historical account of what really happened.

I have more to say in response to Paula's comment in particular, but the reliability of the gospels and the question of whether Jesus actually spoke the words attributed to Him is another subject for another time.
As part of a discussion in her LiveJournal, Kate Orman wanted to know why I believe it's important that the things the Bible -- and specifically, Jesus Himself -- says about Adam and Eve and the fall of humanity be literally, factually correct, and not merely figuratively or metaphorically true. Couldn't the first few chapters of Genesis be mythical rather than historical, designed to be appreciated by people less scientifically advanced than ourselves? And couldn't Jesus have been speaking to the crowds on that level?

At first glance, it sounds reasonable enough that even if Jesus was the Son of God and not merely a good human teacher, He might have chosen to accomodate the ignorance of his listeners, speaking in mythical terms that they would understand. After all, He told parables, didn't He?

There's a problem with this idea, however. If you look at the gospels, when Jesus used parables and metaphors, it's generally indicated in or obvious from the context that He is using figurative language. Phrases such as "I am the Door", for instance, would not have been understood literally by any of His hearers, and as He goes on to expound on the meaning of His statement it's clear that He's using a metaphor. Elsewhere it's even more obvious, with phrases like, "And He spoke to them in parables, saying..." and in some cases, as in the case of the parable of the sower, a full interpretation of the parable follows, with each symbolic element assigned its literal meaning.

There are no such indicators, however, when Jesus speaks to the Pharisees about divorce and invokes the example of Adam and Eve. He's not merely using Adam and Eve as metaphors, here: He's arguing that because God literally created a literal man and a literal woman and gave them to each other in a literal first marriage, therefore once a man and woman have been joined in marriage, God means them to belong exclusively to one another and to take their relationship seriously. And in the process of making this argument, Jesus quotes directly from Genesis 1:27 and 2:24, treating both chapters as historical and authoritative accounts of what God actually said and did at the beginning of creation.

If in this passage Jesus were merely making reference to Genesis as a shared myth with no basis in literal historical fact, then wouldn't actually be proving anything, any more than I would be proving something if I said, "The story of Snow White proves that eating apples is dangerous, and therefore you ought not to eat apples." Of course, one might say, the Pharisees were part of a scientifically ignorant culture and didn't know that the story of Adam and Eve wasn't literally true, so it was okay for Jesus to use the myth in this way to convince them. But that puts Jesus in the position of exploiting the Pharisees' scientific ignorance and using a false argument to persuade them. And it also makes His words irrelevant to us today, because if God did not actually create Adam and Eve as distinct male and female human beings whose union generated the rest of the human race, then the whole basis for Jesus's "one man/one woman/marriage is sacred" argument collapses.

But there's an even more serious problem, involving not just this one passage but indeed the whole message of the Bible from beginning to end. What the Bible tells us, beginning with Genesis and carrying straight through to the end of Revelation, is that sin is a real and terrible problem in the heart of humankind, and that since the events of Genesis 3 all creation has been "groaning" on account of it. In other words, the Bible insists that at some definite, historical point in the past, mankind made a conscious, willful decision to rebel against God and His commandment, thus bringing about the moral corruption of humanity, the inevitability of physical death, and all the disastrous faults we see in the world around us. This is why humanity needed sacrifices for sin (a practice we see beginning with Cain and Abel) and ultimately, a divine, infinite, perfect Redeemer to pay sin's penalty and offer us salvation.

However, if there was no Eden, no Adam and Eve, and no literal space-time fall, there is no such thing as sin -- only faulty creation on God's part. We are left to conclude that somehow God neglected to build into the process of evolution a safeguard to keep it from going wrong, leaving man and nature mere victims of a faulty evolutionary process, and a careless or short-sighted or indifferent God the real author of the phenomenon we call sin. In which case the whole idea of God sending a Redeemer in the form of His Son Jesus Christ is sheer mockery -- God trying to cover up His own mistakes and pin the blame on us.

But the Bible tells us very firmly that God did not make creation as we see it today: rather, He created it "good" and it was only corrupted after humanity fell. Both the Old and New Testaments repeatedly assert that God is not the author of sin; rather, He is completely opposed to and set apart from sin, and it is antithetical to His very nature. At the same time, the Bible insists, we human beings are far from being victims of chance or evolution -- rather, we are all directly and materially responsible for our own moral and spiritual choices, and answerable to a holy God.

Neither the divine righteousness nor the human moral responsibility described in the Bible are possible, however, unless there was at some point a literal commandment that a literal Adam and Eve literally chose to violate, and therefore a literal space-time fall in a literal Eden. Otherwise, the whole concept of "sin" is meaningless. We can't talk about morality, only about the way things have evolved to be -- and as such we have no basis on which to judge any creature's behavior as good or evil, right or wrong, because all of us are nothing more than soft machines programmed by our biology, with no reason to resist any of our biological impulses.

My personal conviction is that the story of Adam and Eve as the father and mother of all human beings, and the Fall as the origin of sin and as the reason for man's estrangement from God, may well be powerful in a mythic or symbolic sense, but in the Biblical context it has no meaning unless it actually happened. Without that element of factuality, the whole Biblical narrative of sin and redemption falls apart. Indeed, without that historical narrative and its climax in the literal death and literal resurrection of Jesus Christ the Son of God, the Bible itself would tell us that there is no hope, no meaning, and no value in the Christian faith for anyone, and that Christians are to be "pitied above all men".

NOTE: For anyone interested in a more cogent and thorough examination of these ideas, my brother Stephen L. Anderson has written an article entitled "Can Myth Save the Miraculous?" to be published in a forthcoming issue of Philosophy Now. Recommended.
Oh dear. Here we go again, I'm afraid. If you are heavily emotionally invested in the Doctor/Rose ship, to the point that you get angry at the mere idea that there might be something not quite healthy about it, you might want to turn back now, because I've just seen "Father's Day"... )

Before I go any further, however, I want to establish that I am not, and never have been, opposed to the possibility of the Doctor falling in love with a companion. )

However, I reserve the right to call things as I see 'em, and right now... I'm more than a little worried about the Doctor's mental health. And here's why: [SPOILERS] )

Tainted Love?

May. 12th, 2005 05:15 pm
rj_anderson: (Ninth Doctor Grieve)
Well, I've been waiting to see if anybody else expressed any of the same misgivings/apprehensions I have, but nobody has, so I guess it's time for me to step up to the plate.

Being a Look at the Potential Dark Side of the Doctor/Rose Dynamic, With Divers Spoilers for Episodes Already Seen in the UK )

Add to this Slight Possible Spoiler Based on an Interview, and Further Theorizing Thereupon )

In short, there's something rotten in the state of Denmark Gallifrey the Doctor/Rose ship, if you ask me -- and at this point I'll be surprised if we don't eventually find out this is the case.
Had a great weekend, will maybe blog about it when I get the chance. But of course the first thing I did as soon as I had a spare moment was sit down and watch DOCTOR WHO: World War Three )

In regard to the preview for next week's episode, all I can say is O_O. Especially this trailer (right-click and save, please!). Everybody else is hyperventilating about spoiler ), but personally I'm pumped about the prospect of finally, actually being scared by a spoiler ) for the first time in my life! I've never really understood what was supposed to be so scary about them, but I do think that this episode might change my mind.

Also, for those who've been watching the show, I heartily recommend a number of gems from [livejournal.com profile] taraljc's journal: first, this very fine and well-reasoned essay; and second, one two three splendid fics.

Also, for those new to the show who were wondering where to start, Outpost Gallifrey has just about all the factual information anyone could possibly wish for about the show in its present and past incarnations. There are also the LJ communities [livejournal.com profile] doctorwho, [livejournal.com profile] new_who and [livejournal.com profile] sortofyeah for essays, icons, screencaps, vids, fics, build-your-own-Dalek kits (or cakes!), and just about anything else you could imagine.

And finally, [livejournal.com profile] wondertwins_inc created this splendid 9th & Rose mood theme, with a different screencap for every emotion in the LJ book, and I'm loving it. Though I may eventually go back to [livejournal.com profile] abates's delightful cybermats mood theme if I find that there are too many others on the same bandwagon...
My reaction to finding out that Snape was a Capricorn instead of a Scorpio:

...

...

...

Er, was I supposed to care about this?

Sorry, I've just never had the slightest interest or confidence in astrological signs as a means of personality determination. I don't think I even bothered to decide when D&L Snape's birthday was, since it never came into any of the stories. Besides, if Snape were a Scorpio, as many people sincerely believed suited him to a T -- dude, that would make him the same sign as Kalan Porter (you knew I had to get a reference in there, didn't you?). Any astrological sign which can encompass both those personalities is so vague as to be completely useless, if you ask me.

Speaking of Snape, I've heard rumours -- I'm so out of the loop these days -- that Snape is "really" completely obsessed with his own selfish ambitions to the exclusion of all else, and that he is "really" evil or at least completely amoral and only prepared to support whichever side appears to be winning at the time. *yawn* Sorry, but I seem to recall having this discussion around the time PoA (the book, not the movie) came out and it didn't interest me much then either. JKR will let us know what's really going on in Severus's mind in good time, I'm sure. In the meantime, there are perfectly good canonical reasons to believe that he is not entirely self-interested, and the game of "My Snape Is More Canonical Than Yours Because He's Meaner" smacks of pettiness and wishful thinking to me.

Personally, I'll take any Snape who appears to look, speak and behave similarly to the way he does in canon, and where any obvious deviations from canon are noted and intelligently addressed in the context of the fic. I'm tired of Snapes who are sekritly beyootiful, expert oenophiles, and own sprawling manor houses to which they invite a host of wide-eyed Mary Sues (Hermione!Sue very much included) -- but I'm also tired of Snapes who are actually more vicious, selfish, and flagrantly amoral than I've ever seen Snape behave in canon. Oh, and Snape is not a dribbling psychological mess, either. He certainly has Issues, but if he really had all the Issues that some fic writers foist upon him, the guy would never get anything done because he'd be curled up in a corner in the St. Mungo's psych ward somewhere, gibbering.

My Snape, for the record... )

I've already written a lengthy essay about the question of Snape's redemption, and a number of stories about the possibility of him having a successful romantic relationship, so I won't bother repeating any of that here. Basically, if my view of Snape is deemed hopelessly romanticized and uncanonical in certain quarters, no skin off my nose. Those who enjoy the stories I write will go on enjoying them, and those who don't are perfectly free to move on and seek out the kinds of stories they do like.
There were a few things in the oral presentation that didn't make it into the essay, or at least not in such a detailed form, so I'm adding them in here. The presentation followed pretty much the same thought flow as the essay, but I think I did a better job of backing up some of my arguments in the presentation. So here's the Special Bonus Section of the game, for those playing at home:

What is Redemption, Anyway? )

Later, having established that JKR's Christianity does, by her own admission, have an influence on the outcome of the books, I came back to the subject of redemption in the Biblical sense and its possible impact on Snape's character arc, as well as including some thoughts on this motif in the Narnia books (since JKR unabashedly acknowledges her love of and indebtedness to that series as well):

Has Snape Already Been Redeemed? )

And, of course, this would be further complicated by the question of just how much of his nasty behaviour is exaggerated (or at least, deliberately unrestrained) on account of his need to preserve his cover as a Voldemort sympathizer.

Finally, and less importantly, when discussing in the early part of the presentation whether or not JKR's comments about Snape in interviews should be taken at face value, I mentioned the Rickman factor -- that JKR was not only delighted with AR being cast in the part, but that he was in fact her first pick for the role -- and suggested that if Jo had really wanted the audience to dislike Snape and have no sympathy with him, she chose the wrong actor. :)

Anyway, I think those were the only really significant departures from or additions to what I'd written in the essay. So... now you know what you missed!

*******************

ETA: [livejournal.com profile] kizmet_42 wrote something in an e-mail regarding the essay that I think worth reposting here, as I can see that I didn't make myself quite clear on this particular point:

I doubt very strongly that Harry and Snape will ever have any sort of non-adversarial relationship... )

However, I actually agreed with her, and said so in my reply:

What I meant by 'resolve their mutual hostility' was not 'become friends' so much as 'declare a cease-fire'... )

I hope that makes things a bit more clear.
[livejournal.com profile] sheryll has kindly given me the go-ahead on this, so I am very happy to present to you my Convention Alley paper in its entirety. (Well, except for the footnotes, but if anybody wants them, let me know and I'll send you the Word document.) Anyway, here goes:

A Deeply Horrible Person: The Unlikely Redemption of Severus Snape )

So, what do you all think?
As much as I had fun speculating about how this might play into canon, and hoping that it wasn't just an oversight, part of me knew, deep down, that Spoilers for latest update on jkrowling.com )

Nevertheless, there are a lot of people out there who are disillusioned with JKR right now -- something Jo herself obviously anticipated, given the wry, apologetic tone of her answer. The question I want to ask is, are our expectations of JKR reasonable?

It's easy for us as fans to pick up on minute details of the Potter universe (though we argue and disagree even about those, so the answers aren't always as obvious as they may seem), because all we have to do is read what JKR's written and think about it, and many of us have ample spare time in which to do both. We aren't producing the books, feeling the pressure of millions clamouring for the next one, trying to work as quickly as possible yet maintain some level of quality, and at the same time trying to juggle writing with family and social life. The wonder to me isn't that JKR makes mistakes from time to time; it's that she hasn't made even bigger ones.

Well, yeah, but surely a responsible author would... )

Even if Jo could somehow miraculously live up to her readers' expectations and get all the dates, moon phases, character names, mathematical calculations, and other details right in an epic seven-book series that covers thousands of pages -- if every loose end were tied up and every question answered -- what would we fans have to talk about? All right, that's a bit facetious, but -- there is a unique satisfaction in coming up with a neat and well-reasoned explanation for something that would otherwise appear to be an obvious inconsistency or mistake.

The best example of this is in Sherlockian fandom, where (as in HP) you're dealing with a single author, a large and complex canon, and millions of obsessed fans. In fact, there are few characters in literature whose popularity and worldwide recognition compares with that of Sherlock Holmes -- only time will tell if Harry Potter can hold onto the same kind of status.

What do Sherlockians do? )

In JKR's case, all the evidence seems to indicate that she loves her characters, she's wholly committed to the story she wants to tell, and she's doing the best she can under very high-pressure and distracting (believe me, if you have a preschooler, you know about distracting) circumstances. Yes, she has made mistakes, and will doubtless make a few more along the way. But considering the amount of pleasure she's brought us, and the sheer scope of the story she's telling, I think that we fans can afford to cut her some slack.

That doesn't mean ignoring the errors. It doesn't even mean refusing to admit that they are errors (although, as I said above, denial can be fun). But I don't think anything good is likely to be accomplished by grumbling among ourselves about how JKR's a careless writer and if we were writing the series we'd do a better job yadda yadda. Especially since the former claim really isn't true and, in 99.9% of cases, the latter isn't either.*

--
*I will really look forward to seeing the fabulous original epic fantasy novels produced by the remaining 0.1%, though...
So I did the latest Hogwarts Sorting Quiz, and then my computer crashed, so I couldn't blog the exact results as I'd planned. However, it came out something like this:

Ravenclaw - 91
Gryffindor - 88
Hufflepuff - 82
Slytherin - 31


Now, I've always known I was a Ravenclaw. Not brave (or impulsive) enough to be a Gryffindor, not hard-working or clannish enough to be a Hufflepuff, and I lack the necessary ambition, ruthlessness and/or cunning to be a Slytherin. I'm an analytical, introverted kind of gal who likes to play with words -- Ravenclaw would suit me to a T.

That being said, I was really surprised the other day when a friend of mine seemed to think that I was anti-Gryffindor. Because in truth I really have no particular preference, or prejudice, when it comes to the Houses at all. I've been known to complain loudly about the behaviour and attitude of certain Gryffindors, particularly James and Sirius: but if I made a top ten list of my most beloved canonical characters, it would be composed almost exclusively of Gryffindors. There are three canonical characters that I absolutely adore, to the point that they can practically do no wrong in my eyes: Mad-Eye Moody, Dennis Creevey, and Neville Longbottom. All Gryffindors.*

As for Ravenclaw -- well, I might be one myself, but I was pretty unimpressed by Cho Chang in the last book. Sometimes you can think about things too much, and it seems to me that she's doing that over Cedric, to the point where she just can't let him go and move on. And then, of course, there's Luna -- whose character I really enjoy in a lot of ways, and who reminds me a lot of myself when I was in school (wacky outcasts, unite!) but she too has a tendency to let her analytical tendencies run away with her.

Then there's Hufflepuff, which appeals to me because I have a soft spot for the underdog, and I admire loyalty and hard work. But on the other hand, the Hufflepuffs we've met in canon seem a little too quick to believe whatever they're told, and when one of their own seems to be threatened they immediately close ranks without stopping to ask themselves whether the threat is real, or whether they might be acting unfairly to those they exclude -- as Harry found out in CoS.

And finally, Slytherin. I have to say that in spite of finding Snape fascinating as an individual, and in spite of having written him and a couple of Slytherin OCs in a sympathetic fashion, I really don't have a soft spot for Slytherin House at all. As I had Dumbledore tell Maud in TPMA, ambition can be a noble thing -- but what I seem to see more often among Slytherins is a desire for personal power and a willingness to manipulate and deceive (or even coerce) other people in order to achieve the desired end, which worries me. However, I see no reason to suppose that this is true of every member of the House -- we just see that kind of behaviour from the Slytherins with whom Harry comes into conflict.

On the whole, I'd say that every House has its strengths and weaknesses, and I would never be inclined to judge a character's worth or likeability on the basis of which House they come from -- only on the way they behave, and to what extent they represent the best or worst traits of the House into which they were Sorted. Just because certain Gryffindors strike me as insensitive and arrogant, or certain Hufflepuffs seem gossipy and cliquish, doesn't mean that I expect the next Gryffindor or Hufflepuff I come across is going to be the same way.

In short, I am not a Houseist.

* * *

On an unrelated note, I've been trying to make a certain icon for myself ever since I came across a highly amusing comment on [livejournal.com profile] fanfic_hate regarding my Remus and Snape fic "Cold Water". But alas, I just can't seem to make the icon work. I spent a couple of hours tinkering with a piece of D&Lish fan art, but even with a bunch of filters and brushes the icon ended up looking completely blah, so I gave up.

So, I'm throwing the challenge open to my graphically inclined friends. Make me an icon using the phrase "Gratuitous Het Writer", and win my undying gratitude and a drabble featuring the characters and fandom of your choice.

Whaddya say?

--
* Admittedly, we don't know for certain that Mad-Eye was a Gryffindor, but he certainly seems like one, and I'm assuming that he is until JKR tells us otherwise.
I was debating to myself just last night whether I ought to write up a theory that had been taking shape in my mind over the last few weeks, when I saw this, on the comments to a recent posting at The Leaky Cauldron:
I kind of get this idea that all of the Marauders were vying for Lily (as if she were some object *F*) and James just happened to win...but it's curious how they end up together. I mean, the scenes in OotP. Eek. I'm wondering if James does something to her magically to entice her.

So, since I am obviously not the only one who has had this thought since reading OotP, and since [livejournal.com profile] lizbee and [livejournal.com profile] pharnabazus have been kind enough not only to indulge my heretical musings in this regard but to admit that the idea makes sense and even (in the case of [livejournal.com profile] pharnabazus) to suggest corroborating evidence, I am going to make the case here and let my readers tear it to bits -- or build it up some more -- as they see fit.

Ahem.

James Potter Is Ever So Evil. )
I've just rewritten my Snape essay for Convention Alley.

Er, you may well say, didn't you already finish that thing and turn it in? And the answer is, yeah, I did. It was due on May 15th, and I met the deadline. But that same week I got some really excellent and helpful criticisms from one of my brothers. And though I told myself I'd just work his ideas into the oral presentation and not worry about the essay part of things, I kept thinking about how much better the essay would have been if I'd had time to make the changes he suggested. Finally I realized that deadline or no deadline, I was just not going to be happy until I did a redraft.

Fearing the worst, I asked the convenors if there might still be a chance to submit a revision, if I didn't take too long about it. And to my relief, they said yes. So I spent the last three days tearing the essay to bits and remaking it. After about six hours of editing, I began to wonder if I'd have been better to just forget the first draft entirely and rewrite it from scratch -- but fortunately the last half didn't require as much work as the first.

I have murdered my darlings, and they bled most beautifully. It wasn't easy, but I feel much better about the essay now.*

Now I just have to work on the outline for the oral presentation, my entry for the Weiss ficathon, and the sequel to "Endings and Beginnings"... all of which should keep me busy for the next month at least.

--
*Except for one subheading I wrote that makes no sense whatsoever, not only because the allusion was obscure to begin with but because I accidentally misquoted the book of Proverbs. Gah. Why do I do these things?
Tags:

Woe is me...

May. 7th, 2004 10:04 pm
rj_anderson: (Snape ConventionAlley)
...for I have discovered Puretracks, and David Sylvian has a compilation album I didn't know existed. Plus, they have old Fixx songs. My wishlist runneth over. I will not, not, repeat not, buy them all at once...

On a more positive note, I have finished the Snape essay for Convention Alley, and now have only to finish the footnotes and bibliography and generally Chicago-proof it... well, that and cut out about 2,000 words, seeing as they were asking for five to seven double-spaced pages, and I think twenty-two might be a bit excessive.

Don't worry, though, whatever doesn't make it into the final draft of the essay will go into the presentation. Even if it means I have to talk really fast. :)

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